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How can so many things become a bore by middle age—philosophy, radicalism, and other fast foods—but heartbreak keeps its sting?
How indeed?
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Alexw
But heartbreak—how can you avoid it except to renounce love entirely? In the end, that is the only solution Arthur Less could find.
He kisses—how do I explain it? Like
someone in love. Like he has nothing to lose. Like someone who has just learned a foreign language and can use only the present tense and only the second person. Only now, only you. There are some men who have never been kissed like that. There are some men who discover, after Arthur Less, that they never will be again.
Mimi (a.k.a Ellen) liked this
“No! No, Arthur, no, it’s the opposite! I’m saying it’s a success. Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph.
Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever. Siamese twins are a tragedy. Twenty years and one last happy road trip. And I thought, Well, that was nice. Let’s end on success.”
“What if one day you meet someone, Arthur, and it feels like it could never be anyone else? Not because other people are less attractive, or drink too much, or have issues in bed, or have to alphabetize every fucking book or organize the dishwasher in some way you just can’t live with. It’s because they aren’t this person. This woman Janet met. Maybe you can go through your whole life and never meet them, and think love is all these other things, but if you do meet them, God help you! Because then: ka-blam! You’re screwed.
It is elegant, cool, well staffed, and stiflingly dull. How
As for the good things, as for safety, comfort, love—Less found himself smashing them to bits. Perhaps he did not know what he was doing; perhaps it was a kind of madness. But perhaps he did know. Perhaps he was burning down a house in which he no longer wanted to live.
A stroke. Robert has never been kind to his body; he’s worn it like an old leather coat tossed in oceans and left crumpled in corners, and Less saw its marks and scars and aches not as failures of age but the opposite: the evidence, as Raymond Chandler once wrote, of “a gaudy life.” It is only the carrier of that wonderful mind, after all. A case for the crown. And Robert has cared for that mind like a tiger with her young; he has given up drinking and drugs, kept a strict schedule of sleep. He is good, he is careful. And to steal that—to steal his mind—burglar Life! Like cutting a Rembrandt
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I hadn’t known that I assumed he would wait there forever in that white bed below his window. I hadn’t known I needed him there. Like a landmark, a pyramid-shaped stone or a cypress, that we assume will never move. So we can find our way home. And then, inevitably, one day—it’s gone.
Tomorrow, love will surely deepen its mystery. All that, tomorrow. But tonight, after a long journey: rest.
