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1464206767
| 9781464206764
| B01N8XDI4S
| 3.77
| 1,051
| Nov 10, 2016
| Jan 03, 2017
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really liked it
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Deep and crisp and even... The latest addition to the British Library themed anthologies of classic crime, this one includes eleven stories all set aro Deep and crisp and even... The latest addition to the British Library themed anthologies of classic crime, this one includes eleven stories all set around the festive season. A great time for people to get together in family gatherings or country house parties, and bump each other off. Who amongst us hasn't thought that the one thing that would improve Christmas would be the quick dispatching of one of our nearest and dearest, or that the only way to pay for all those gifts would be to hasten the inheritance from one of our much loved rich relatives? Or is that just me? On the basis of the evidence in this book, I'm not alone in thinking Christmas is a particularly jolly time for a murder... As with the earlier anthologies, this one is introduced and edited by Martin Edwards who also gives a short introduction to each story telling a little about the author. There's the usual mix of well-known authors – Margery Allingham, Edgar Wallace – and forgotten ones, and as always the quality of the individual stories varies. However, overall I thought this was a more consistent collection than the last couple – none of the stories rate as less than three stars for me and there are plenty of fours and a sprinkling of fives. The lengths also vary from a few pages to a couple of the stories being what I'd think of as novelette length – taking an hour or so to read. There's a nice variety of whodunits and howdunits, some dark and serious, others lighter and more quirky, and a few with ghostly aspects to add to the winter chills. And there's fog and feverish policemen, and wicked carol-singers, and isolated houses with all access cut off by snow... perfect accompaniment to a mug of hot chocolate and a seat near the fire! Here are a few of the ones I enjoyed most... The Ghost's Touch by Fergus Hume – when the narrator is invited to spend the festive season as a guest in a haunted country house, one feels he should have swiftly invented a prior engagement. However, clearly he doesn't read crime novels, because off he goes, all cheerful and expecting to have a good time. Hah! After the fire, the ghost, and a meeting with the murderer at the dead of night, I suspect he changed his mind... The plot in this one is totally obvious, but nevertheless the author manages to get a nice atmosphere of tension going, and it's very well written. Death in December by Victor Gunn – a great cross between ghost and crime story, this one is probably going to appear on a future Tuesday Terror! Post so I won't go into detail. It's one of the longer stories in the collection, giving time for a bit more characterisation than usual and both the detectives, grumpy Bill “Ironside” Cromwell and his sidekick, lovely Johnny Lister, are well drawn and fun. There are aspects of both who and how in this one, not to mention some genuinely scary bits, all topped off with a lot of humour. And a nice little bit of detection too... Mr Cork's Secret by Macdonald Hastings – When Montague Cork's firm insures a valuable necklace, Montague begins to worry about its safety. So off he goes with his wife to a top London hotel where the owner of the necklace is expected to be staying. He's lucky to get a room at such short notice, especially at Christmas time. Not so lucky for the person who vacated the room, though – since he was carried out feet first by the police, headed for the morgue. Could the murder have anything to do with the necklace? It's up to Montague to find out... This has a nice twist in that when it was originally published the author held one fact back as part of a competition. Edwards has left it like that, but at the end of the book, gives the solution as provided by the author, along with the prize-winners' suggestions. Deep and Crisp and Even by Michael Gilbert – PC Petrella is covering for his boss over Christmas, and takes his duties seriously. So it's unfortunate that he develops a feverish cold leaving him weak and a bit confused. But when he suspects a house in the neighbourhood has been burgled, he's determined to track the perpetrator, even when he's near collapse himself. Complete with carol-singing, dreadful weather and seasonal illness, this is a fun little story with a neat twist. So plenty of good stuff here, and a lot of the stories make excellent use of either weather or the holidays to add to the atmosphere and tension. I'm thoroughly enjoying these anthologies – even the less good stories are always fun for seeing the different attitudes and writing styles of the time, and the little author bios add a bit of context, putting each story into its appropriate place in the development of crime fiction. I also like the way they're themed, and this theme in particular works well – I suppose that these would mostly have originally been published in Christmas editions of magazines, and perhaps that inspired the authors to show off their best. Next to the London-themed one, Capital Crimes this is probably my favourite of the collections so far. I do hope there will be more... NB This book was provided for review by the publisher, Poisoned Pen Press. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 24, 2016
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Dec 30, 2016
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Dec 24, 2016
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Kindle Edition
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0802189989
| 9780802189981
| B01AGZ8M12
| 3.80
| 6,408
| Mar 10, 2016
| Jan 03, 2017
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liked it
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Murder as performance art... TV reporter Eve Singer is on the crime beat, so she's called to the scene of a brutal murder committed in the foyer of an Murder as performance art... TV reporter Eve Singer is on the crime beat, so she's called to the scene of a brutal murder committed in the foyer of an office building, just feet from where people are passing by on the pavement outside. This is a murderer who likes to perform his gory crimes in public, and then stage them as if it were some kind of performance art. When he makes contact with Eve, at first it seems like a great thing – she'll have the exclusive story and it will give her career a much needed boost. But soon she realises that she's becoming caught up in the murderer's schemes, almost to the point of becoming an accessory... First off, let me say that I love Belinda Bauer. And this book has in it many of the things I love her for – the great writing, touches of humour, some nice building of suspense and an original and dramatic climax. However, for me, this isn't one of her best. It feels derivative – there are touches of Hannibal and Clarice in the relationship between Eve and the killer, and heavy shades of Psycho over the storyline. Perhaps there's not much new left to say in the serial killer novel – certainly it's been a while since I read one that felt fresh. But the derivations in this one seemed so blatant that I wondered at points if she was deliberately referencing some of the greats as a kind of inside joke, but if so, it didn't quite come off, and simply ended up feeling rather unoriginal. The structure also doesn't feel up to Bauer's usual standard. We are given biographies of the characters rather than being allowed to get to know them through the plot – whatever happened to 'show, don't tell'? Eve's father suffers from dementia and this is used partly to give some humour to the book – always tricky with such a sensitive subject and I felt it occasionally passed over into tastelessness. And while I thought the portrayal of his dementia was well done for most of the book, when it became part of the plotting in the later stages it crossed the credibility line and began to feel contrived and inauthentic, and I found myself feeling that this awful disease was being used for entertainment purposes rather than being given the empathy it deserves. The humour didn't work as well for me as usual, I didn't take to Eve much, and the amount of lazy swearing throughout became utterly tedious, not to mention Eve's need to vomit every time a corpse turned up. On the upside, there are passages where Bauer achieves that delicious feeling of creepiness, for example, when Eve thinks she's being followed home in the dark, and it does have a great thriller ending which redeemed it a little in my eyes. I was also pleased that this murderer was pretty eclectic in his choice of victims, not exclusively butchering vulnerable young women. But overall, this is one I'm going to put down to an off day, and go back to waiting avidly for her next offering. I've given it three stars but, in truth, I think one of those stars is from a mixture of loyalty and the feeling that I may be judging it too harshly because of my perhaps overly high expectations. Because, despite this one, I do love Belinda Bauer. I can't help wondering in general if the pressure to get a new book out every year is really a good thing in the long run... NB This book was provided for review by the publisher, Grove Atlantic. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 19, 2016
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Dec 24, 2016
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Dec 19, 2016
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Kindle Edition
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1509806504
| 9781509806508
| B018UGLW9S
| 3.22
| 3,240
| Jun 16, 2016
| Sep 08, 2016
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it was amazing
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The Gentleman's Game... “India: A country said to have two real religions – cinema and cricket.” Two brothers are being groomed by their father to b The Gentleman's Game... “India: A country said to have two real religions – cinema and cricket.” Two brothers are being groomed by their father to become the greatest cricketers in India. Radha, the elder, with his film-star looks and love of the game, is the better of the two, and it's accepted that he will be the star. But as they grow up, Radha's skill diminishes, just a little, but enough for him to be eclipsed by the younger Manju, whose attitude to the game is more ambivalent. Their mother having disappeared when they were little (run away? dead? The boys aren't sure), the brothers have been brought up by their tyrannical father Mohan, who is determined they will succeed in the sport as a way to raise the family out of the slums. So when the chance of sponsorship comes along, Mohan grabs it, even though it's at best an unethical deal which sells his sons into a kind of bondage and, at worst, borders on the illegal. This is a story of sibling rivalry, tied in with a wider picture of corruption in society shown through the corruption in cricket. The game, once the preserve of all that was considered gentlemanly, has become all about money. The days of languorous five-day test matches has morphed into not only one-day cricket, but the hideousness of the ultra-short 20-20, which Adiga describes in his humorous glossary of cricketing terms at the end of the book as “in the eyes of some older fans, almost as bad as baseball.” It's not necessary, I think, to know about cricket to enjoy the book - Adiga doesn't fall into the trap of lengthy descriptions of games, tactics or technicalities, and the sport could as easily be any other. But cricket has a particular resonance, because of its origin as a game of the British Empire, a period whose influence is still vital in understanding much of Indian society. In the next few minutes, Anand Mehta came up with the following observations about cricket: that it was a fraud, and at the most fundamental level. Only ten countries play this game, and only five of them play it well. If we had any self-respect, we'd finally grow up as a people and play football. No: let's not expose ourselves to real competition, much safer to be in a “world cup” against St. Kitts and Bangladesh. Self-obsession without self-belief: the very definition of the Indian middle class, which is why it loves this fraud sport. As Manju hits adolescence, he becomes fascinated by another young player, Javed. Javed is gay and Manju's attraction to him suggests that he is too. But Manju is of a lower class than Javed and has a father who's not likely to be the most supportive, so it would take considerably more courage for him to admit his feelings than Javed. But his relationship with Javed isn't purely about physical attraction – Manju finds himself influenced by the older, more confident boy in other ways. Javed, another talented cricketer, sees the corruption in the sport and wants Manju to give it up. So poor Manju has a jealous brother who feels he deserves to be the best, a friend pulling him away from cricket, and his father and his coach putting pressure on him to practice every moment he can. It's not altogether surprising that he's confused before he gets to Selection Day, the day on which the big teams pick which young players they will sign. I love Adiga's depiction of Mumbai or Bombay (names which he uses interchangeably). He shows the poverty, corruption and class divisions quite clearly but, unlike some of the (usually ex-pat) Indian writers who love to wallow exclusively in the misery, Adiga also shows the other side – the vibrancy, the struggle for social mobility, the advances of recent years. His characters, even when they're being put through the emotional wringer, manage to have some fun along the way, and the whole atmosphere he portrays lacks the irredeemable hopelessness of so much Indian literature. There's also a good deal of humour, often very perceptive and coming at unexpected moments, startling me into laughter. This book tackles some tough subjects, but on the whole Adiga simply lays the arguments out and leaves the reader to come to her own conclusions – there's no whiff of the polemical in his writing. “People thought I had a future as a writer, Manju. I wanted to write a great novel about Mumbai,” the principal said, playing with her glasses. “But then...then I began, and I could not write it. The only thing I could write about, in fact, was that I couldn't write about the city. There is, however, some great characterisation, and he writes about them empathetically so that it's hard not to see why even the less savoury characters have turned out as they have. One of the things I loved was seeing how the perception of Mohan, the boys' father, changed as they grew up. This man who loomed over them in childhood shrinks as they grow – both physically and in terms of his influence. It's the mark of the quality of Adiga's writing that this happens so gradually there's no jarring moment, but towards the end I realised I had come to feel about him quite differently than I had in the beginning. For me, this was a slow-burn book. It took at least a third of the book before I was convinced that this tale of cricketing brothers was going to hold my interest. But as it progressed, I began to appreciate the subtlety with which Adiga was showing various aspects of contemporary Indian life, and as always I found his writing pure pleasure to read. And by the time I reached the end, I found he had again created some characters who had become real to me, in the way Masterji did in his excellent Last Man in Tower. This book confirms Adiga's place as one of my favourite authors, and gets my wholehearted recommendation. NB This book was provided for review by the publisher, Scribner. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 14, 2016
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Dec 19, 2016
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Dec 14, 2016
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Kindle Edition
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0698411684
| 9780698411685
| B011IUSTYY
| 3.97
| 937
| Apr 05, 2016
| Apr 05, 2016
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really liked it
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Danger alert: Jessica Fletcher's in town... During a catwalk show in New York's Fashion Week, a young model collapses and dies. Rowena Roth had been an Danger alert: Jessica Fletcher's in town... During a catwalk show in New York's Fashion Week, a young model collapses and dies. Rowena Roth had been an unpleasant girl, arrogant and rude, so few people other than her mother could truthfully say they grieved for her loss. It seems like one of those tragic things that happen sometimes – perhaps a heart condition that she had never been aware of. But then a second model is found dead. The question is: are the deaths connected? Fortunately for the NYPD, Jessica Fletcher is in town, ready to offer them as much advice as they can take... I love the TV series of Murder, She Wrote. It's my go-to cosy for winter afternoons, and I've been known to binge-watch several shows one after the other. This is largely because I think Angela Lansbury is fab in the role, plus the style of the show means that, despite the phenomenal murder rate, nothing distasteful ever really happens, and Cabot Cove still looks like a wonderful spot to spend some time. Would the books work as well without Lansbury's presence? The story is told in the first-person (past-tense) from Jessica's perspective, so we get to see the thoughts inside her head. Jessica is all sweetness and charm on the outside, and full of some rather waspish thoughts on the inside. I kinda liked that – I always assumed on the TV show that, behind that ultra-friendly exterior, an astute and clear-sighted brain must be ticking away. Like Miss Marple (from whom she's clearly directly descended), Jessica must be an 'expert in wickedness' if she's to see through the façade the villain erects to cover his/her crimes. I found I could easily imagine Angela Lansbury speaking her lines, and the marvellous facial expressions she would have used to convey the unspoken thoughts. I was rather disappointed that the book was set in New York rather than Cabot Cove. But Seth and Mort both appear during phone conversations, so I didn't have to do without my two favourite men completely. The description of Fashion Week felt thoroughly researched – though given, of course, that Murder, She Wrote spin of cosiness that means it doesn't feel quite authentic to real life. The plot covers the lengths to which young girls will go to succeed in the cut-throat world of modelling, touching on subjects like extreme dieting and cosmetic surgery. The jealousies are shown too, but it's all done with a light touch. And, of course, we don't care about the murder victims, so no dismal grief or angst to contend with. Jessica is just as irresistible to men as she is in the show – this time it's Detective Aaron Kopecky who's badly smitten by her charms. Got to admit, this was the one bit of the book that I found tedious – Kopecky's admiration became repetitive and his attempts to woo Jessica by dangling information about the case in front of her became laboured and annoying in the end. But it wasn't enough of an issue to spoil the book for me overall. The plot is quite interesting, and stays more or less within the bounds of credibility. Jessica is at the show because of her friendship with the designer's mother – she and her son both hail from Cabot Cove originally. And it's not long before Jessica is nosing around amongst the models, publicity people, cosmetic surgeons, et al, coming up with stunning insights long before poor Detective Kopecky is even close. I don't think it could really count as fair-play, though maybe that's just sour grapes because I didn't work out the solution. But it's well written – a nice cosy, with the genuine feeling of the show and enough contact with the familiar characters to prevent me missing the Cabot Cove setting too much. I'll cheerfully read more of these, and recommend it not just to fans of the show, but to cosy lovers in general. Good fun! NB This book was provided for review by the publisher, Berkley Publishing Group. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 13, 2016
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Dec 16, 2016
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Dec 13, 2016
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Kindle Edition
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0749020687
| 9780749020682
| 0749020687
| 3.74
| 7,120
| Jul 01, 2016
| Jul 01, 2016
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really liked it
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Inform, educate and entertain... Maisie Musgrave is thrilled when she gets a job as a typist at the newly formed BBC. She's not particularly pretty, an Inform, educate and entertain... Maisie Musgrave is thrilled when she gets a job as a typist at the newly formed BBC. She's not particularly pretty, and her relative poverty means she's rather dowdily dressed. Both of which are a little unfortunate, since her main ambition is to find a man and get married. But once she becomes exposed to some of the new thinking at the Beeb, and especially some of the feisty and successful women making their names there, Maisie begins to develop ambitions of her own – perhaps to produce a radio show one day, or even write for the Radio Times. Those ambitions will still leave her enough time for a bit of dabbling in romance, though... Stratford has clearly thoroughly researched this fascinating period of the BBC's early history, while it was still struggling to work out quite what its role was to be. Many thought that radio was a passing fad and, at that time, the BBC wasn't a news organisation as it is now. However, there were people within the organisation with very firm views on how it should develop and Stratford incorporates them into her story. Lord Reith is now always thought of as the father of the BBC, who gave it its mission statement – to “inform, educate and entertain”, specifically in that order. But in the book he's shown as the upholder of the establishment and the status quo – a man who felt that women should know their place and stay in it. So his relationship with Hilda Matheson, also a real person, was never going to be easy – feisty, feminist, lesbian, friend to the Bloomsbury set and lover of more than one of them at different times. Hilda becomes Maisie's mentor and influence, though Maisie has a strong enough personality not to come under Hilda's sway entirely. All good stuff, and I found Hilda in particular an intriguing character. I hadn't heard of her before, but it seems she too was highly influential on how the BBC developed, particularly in terms of setting out to inform the newly enfranchised female population of Britain, many of whom were clamouring to know more about the political world so that they could participate fully. However, she also seems to have promoted her own leftish political agenda, this being before the BBC made impartiality its fundamental principle (in theory, at least). I'd like to read a biography of Hilda sometime, if I can find one. And that rather brings me to the problem with the book. For the first half, there's really very little plot. We simply follow Maisie as she settles in to her new job and begins to get to know the people she's working with and for. It's well written, Maisie is quite fun and there's some humour in it...but no real story. But be careful what you wish for, because in the second half, when the story finally arrives, it's kinda silly and not very well done at all. It revolves around the growing Nazi threat, with Hilda and Maisie becoming kind of unbelievable amateur spies. And it's very stretched out with large sections where nothing happens to move the plot along. It feels like Stratford had done all the research, decided what characters she was going to focus on, but then hadn't really been able to think quite what to do with them. A large part of me wished she had gone for a non-fiction approach, either concentrating on Hilda Matheson or widening it out to cover the early years of the BBC. And I do apologise, sisterhood, but I am bored, bored, BORED, with every second story being about how fabulous/intelligent/feisty/strong all women are and how weak/sexist/corrupt/nasty all men are. Feminism was surely never about proving women were vastly superior to men... was it? So why has it become so?? Pretty much the only good men in this book are the gay ones – which I think might be taking the “diversity” agenda just a little too far. But then I seem to have forgotten to pay my dues to the Political Correctness Club recently... So yes, I got a little tired of the “feminist” aspects of this one, although to be fair it's no worse in that respect than a lot of the contemporary fiction written by women. *ducks to avoid the rotten tomatoes* Overall, then, I felt it was a little let down by a weak plot and too much blatant political correctness seeping through. But it is well researched and well written, creating what feels like a reasonably authentic picture of the early days of the BBC, and certainly interesting enough to keep me turning the pages. I liked the characterisation of both the fictional and real people for the most part, and enjoyed the way Stratford kept the tone light with some well judged humour along the way. I will look out for more from this author in the future, and hope that experience will allow her to find a better balance between historical research and plot next time. And despite my reservations, I recommend this one as an enjoyable and informative read. NB This book was provided for review by the publisher, Allison and Busby. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 09, 2016
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Dec 14, 2016
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Dec 09, 2016
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Paperback
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1908313579
| 9781908313577
| B00BKRX4IW
| 3.95
| 8,009
| Jan 2012
| Mar 28, 2013
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liked it
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One for lovers of whimsy... Daniel Mercier is eating alone one night in a restaurant when François Mitterrand, President of France, and some friends se One for lovers of whimsy... Daniel Mercier is eating alone one night in a restaurant when François Mitterrand, President of France, and some friends settle themselves at the next table. Daniel is thrilled to be so close to the great man, and begins to imagine that he's part of the President's group. When they leave the restaurant, Daniel notices that Mitterrand has accidentally left his signature black hat behind. Succumbing to an overwhelming temptation, Daniel picks it up, crams it on his own head, and scuttles quickly out of the restaurant before Mitterrand notices and comes back for it. The strange thing is that, almost immediately he acquires the hat, Daniel, usually a rather diffident and anxious young man, finds his confidence growing and his bosses appreciating him more. So when he in turn accidentally leaves the hat on a train, he is very upset. But the woman who picks it up suddenly finds the desire and courage to change her own rather unhappy life... And so the story progresses, with the hat being passed from one person to another. In each case, we learn a bit about their story and then see how the possession of the hat leads them to make fundamental changes for the better in their lives. The book is well-written and quite entertaining, though undoubtedly a little on the twee side for me. The stories vary in their interest level. One that I enjoyed tells of a 'nose' – a man who used to have a glowing reputation for creating lovely and highly successful perfumes, but who in recent years seems to have lost the knack. The descriptions of how he finds himself inspired by various smells that he comes across and how he then goes about recreating these is done well, and I enjoyed the idea of him being able to identify the scent each person he met was wearing. Other episodes were less successful for me – like the man who found his entire political outlook on life changing as a result of wearing the hat. Even whimsy must have some basis in reality, and the idea that one shows one's conversion to socialism by buying up lots of expensive art to hang around one's home seemed a little odd. It's not a book to over-analyse, but... well, when did that ever stop me? ;) I found it intriguing in an irritating kind of way that all the men in the book were inspired to change either their working or political lives, while the solitary (beautiful, of course) woman's story is one of breaking off a romantic relationship where she's being used, and then finding true love. The book was written, I believe, in 2012 – have we really not got beyond these stereotypes? I also didn't much care for the portrayal of Mitterrand – a man I know almost nothing about, so it's not that I have a bias. In the book he comes over as rather creepy, misusing his position as President to use the Secret Service for personal rather than political purposes, and lasciviously drooling over a photo of the woman who briefly has his hat. For all I know, this might be an accurate portrayal, but even if it is, it didn't feel right in a book as frothy and fanciful as this one is. Still, it is quite readable and lightly enjoyable for the most part, so I'll stop criticising now. Not one that worked terribly well for me, as you'll have gathered, but I'm sure will work better for people who are more skilled than I am at immersing themselves fully in a bit of whimsy... NB This book was provided for review by the publisher, Gallic Books. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 04, 2016
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Dec 08, 2016
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Dec 04, 2016
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Kindle Edition
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B018GDWI7K
| 3.55
| 1,110
| 1952
| Jan 01, 2016
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really liked it
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Sun, sea and murder... Inspector Meredith and his young sidekick Acting-Sergeant Freddy Strang have been sent to the Riviera to help the French police Sun, sea and murder... Inspector Meredith and his young sidekick Acting-Sergeant Freddy Strang have been sent to the Riviera to help the French police hunt down a counterfeiter – a Brit who seems to be involved in laundering fake money in the little towns along the coast. While they’re there, a murder is committed amongst some of the English people living on the Riviera, so they become involved in that investigation too, especially since it seems that the two crimes may both link to the various people staying in the home of Nesta Hedderwick. This is quite handy for young Freddy, since he’s fallen in love with Nesta’s niece, Dilys… The title of the book made me think this would be mainly a murder mystery, but in fact the bulk of the book is about the counterfeiting investigation, with the murder and subsequent investigation only happening quite late on. It’s a personal preference thing, and I’m not quite sure what it says about me(!), but I really prefer my crime fiction to be about murders. I’ve never managed to get up much interest in theft or fraud as a plotline. So, true to form, I enjoyed the murder investigation of this one, but found the counterfeiting plot rather dull. In both sections, it’s really more of a howdunit – the villains are relatively obvious from fairly early on. In the counterfeiting plot, the question is more about how the money is being disseminated. This involves Meredith and Strang in quite a lot of driving along the coast, visiting the various small towns. Bude creates an authentic feel to the setting, with all the cafés and rich tourists, the gorgeous scenery and glorious weather, and Meredith and Strang have plenty of time to enjoy their stay while working on the case, complete with a fair amount of fine dining and wine-tippling. The murder plot is something of an ‘impossible’ crime, though not of the locked room variety. I’m not going to reveal much about it since it would be hard without spoilers. But it’s fiendishly contrived, with a neat (if rather incredible) solution. The who is easy, the how less so, though I did guess how it was done a few microseconds before it was revealed. I felt the motive was a little shaky, to be honest, but it’s really more about the puzzle than the motivation. Both Meredith and Freddy are likeable characters. Meredith is methodical and efficient, while Freddy works more on intuition. Freddy has shades of a Wodehouse character – I felt he would fit in well at the Drones Club (though as one of the more sensible ones – think Kipper Herring rather than Gussie Fink-Nottle), which I have to say made me wonder why he was slumming it working for the police. I’d have liked to know a little more about him, but even without much background to his character he adds a touch of lightness and occasional humour, and his romance with Dilys is nicely handled. Overall, I enjoyed the book, despite not being enthralled by the counterfeiting strand – the writing is very good, the plotting is clever, especially of the murder, and the characters well enough drawn to be interesting. Another intriguing author resurrected by the British Library – one I’d be happy to read more from. NB This book was provided for review by the publisher, Poisoned Pen Press. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Dec 2016
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Dec 04, 2016
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Dec 01, 2016
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Kindle Edition
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B002TXZR4U
| 3.85
| 119,000
| Oct 28, 2004
| May 07, 2009
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it was amazing
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The workings of the human heart... When John Ames learns he doesn't have much longer to live, he takes up his pen to write to his young son, to tell hi The workings of the human heart... When John Ames learns he doesn't have much longer to live, he takes up his pen to write to his young son, to tell him some of the things he would have liked to tell him in person as he grew up. Ames is old, in his 70s, and his son is the product of a late second marriage, an unexpected second blooming of love for a man who had spent most of his life alone following the death in childbirth of his first wife and their daughter. As Ames writes, it is 1956, so his personal recollections take him back to the end of the previous century, but his knowledge of his family history allows him to go back a few decades further, to the Civil War and the struggle for the abolition of slavery. The small town of Gilead in Iowa was founded by abolitionists, its main reason for existence in those early days to help the cause, and to assist in providing safe passage for escaped slaves heading towards the free states. Ames is the third generation of pastors in his family. His grandfather was a passionate abolitionist, willing to fight the fight with guns as much as with prayer, who 'preached his people into war'. Ames' father, on the other hand, was a Christian pacifist, horrified in his own time at the celebration of war during WW1, at the kind of patriotic fervour that drove the young men to go off to kill or die. As Ames gradually reveals the history of these two men, it is clear that he has been influenced by both; that their divisions perhaps have led him to be more introspective and questioning of his beliefs. I am also inclined to overuse the word 'old', which actually has less to do with age, as it seems to me, than it does with familiarity. It sets a thing apart as something regarded with a modest, habitual affection. Sometimes it suggests haplessness or vulnerability. I say 'old Boughton', I say 'this shabby old town', and I mean that they are very near my heart. And it's Ames' beliefs that are at the heart of the book. This is a man whose faith is thoughtful and profound, based on his lifelong study of the scriptures. He's a bit touchy when people assume he became a pastor simply because his father and grandfather were – he's keen to point out that his vocation is personal, founded on his relationship with God and nothing else. But he has made an effort to understand what brings people to atheism, too, partly because his brother gave up his religion as a young man, and partly because Ames sees the rise of atheism in the society around him. Much of his letter to his son is an explanation of his own faith, and an encouragement to him not to be swayed by the doubts and disbelief of others. I was struck by the way the light felt that afternoon. I have paid a good deal of attention to light, but no one could begin to do it justice. There was the feeling of a weight of light – pressing the damp out of the grass and pressing the smell of sour old sap out of the boards on the porch floor and burdening even the trees a little as a late snow would do. It was the kind of light that rests on your shoulders the way a cat lies on your lap. So familiar. I must say I was rather put off reading this book by some reviews and comments from a few people who suggested that it's full of Biblical references and theology that would make it hard to understand for someone without a solid grounding in the Bible. As a lifelong atheist, brought up that way, there can be few people out there with less knowledge of the Bible or of the intricacies of the beliefs of all the different Christian churches than I, so for the benefit of others I'd like to say that's total nonsense. At every step of the way, Robinson makes crystal clear the basis of whatever aspect of faith she is discussing. The possible exception is the idea of whether predestination exists, though even there, it's quite straightforward to understand Ames' position on the subject – which is primarily that he doesn't know the answer, and gets fed up with atheists using the question as some kind of weapon. Perhaps there are nuances that I missed that would be picked up by people better versed in the Bible, but certainly I had no feeling of 'missing' anything. It seemed to me that Ames' unshakeable faith is based as much on his love of the world and of humanity, as on obscure theological points. I might seem to be comparing something great and holy with a minor and ordinary thing, that is, love of God with mortal love. But I just don't see them as separate things at all. If we can be divinely fed with a morsel and divinely blessed with a touch, then the terrible pleasure we find in a particular face can certainly instruct us in the nature of the very grandest love. I devoutly believe this to be true. I remember in those days loving God for the existence of love and being grateful to God for the existence of gratitude, right down in the depths of my misery. In the second half of the book, a young man returns to the town, the son of Ames' oldest friend, the Presbyterian minister Boughton. This young man is called John Ames Boughton, a well-intentioned gesture from the elder Boughton which Ames has always rather resented. In fact, he resents everything to do with this young man, who has proved to be a disappointment throughout his life. Ames' feelings about him are mixed with his sorrow for his lost daughter and for his brother's atheism, and Ames himself is rather confused about why he feels so antagonistic towards the younger man. Now Ames is dying, and young Boughton seems to be forming a bond with his much younger wife, Lila, and his son. The latter part of the book is a very moving account of Ames wrestling with his own feelings and trying to come to a better understanding of the young man. There is very little plot in this book, which is normally a real no-no for me. But somehow I found Ames' story totally absorbing and full of emotional truth – a quiet account of an ordinary man who loves his family, striving to be good in his heart, struggling to see God's will, accepting the mystery at the heart of faith. It reminded me of the way Colm Toibin writes – rather plain and understated, but full of beauty and empathy for human frailties. But for all the emotionalism, there's humour in there, too – wonderfully crafted set-pieces that in their own way shed more light on all the idiosyncrasies of human nature. Yes, it's about faith, and about racial inequality to some degree, but fundamentally it's about humanity and the search for a redemption that can come only through a deeper understanding of the workings of the human heart. A lovely book. Well, I can imagine him beyond the world, looking back at me with an amazement of realisation - “This is why we have lived this life!” There are a thousand, thousand reasons to live this life, every one of them sufficient. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 27, 2016
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Dec 2016
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Nov 27, 2016
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Kindle Edition
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B003XREM38
| 3.74
| 2,657
| 1936
| Jul 01, 2010
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it was amazing
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...aka The Lady Vanishes... A young Englishwoman, Iris Carr, is travelling home alone from an unspecified European country. Suffering from sunstroke, s ...aka The Lady Vanishes... A young Englishwoman, Iris Carr, is travelling home alone from an unspecified European country. Suffering from sunstroke, she nearly misses her train but a helpful porter shoves her into a carriage at the last moment. The people in the carriage clearly resent her presence – all except one, that is. Miss Froy, another Englishwoman, takes Iris under her wing and carries her off to have tea in the dining carriage. When they return, Iris sleeps for a while. When she awakes, Miss Froy has gone, and the other passengers deny all knowledge of there having ever been another Englishwoman in the carriage... This is the book that has been made into more than one version of a film under the title of The Lady Vanishes. The basic plot is very similar – Iris is struggling to get anyone to believe her story, partly because she has made herself unpopular with her fellow travellers, and partly because each of those travellers have their own reasons for not wanting to get involved in anything that might delay the journey. But Iris is determined to find out what has happened to Miss Froy, as much to prove herself right as out of genuine concern for the other woman. We first meet Iris when she and a group of her friends are staying at a hotel in the mountains. They are modern and loud, with the arrogance of youth, and are entirely unaware and uncaring that they are annoying the other guests. When Iris has an argument with one of her crowd, she decides not to travel home with them, but to wait a day or two and go on her own. But as soon as they leave, she begins to realise how lonely and isolated she feels, especially since she doesn't speak a word of the local language. White is excellent at showing the superior attitude of the English abroad at this period – the book was published in 1936. When the locals don't understand her, Iris does that typically British thing of speaking louder, as if they could all just understand English if only they would try a bit harder. White also shows how Iris and her gang use their wealth to buy extra attention, and Iris' assumption that money and looks will get her whatever she wants. All this makes the book interesting reading, even if it doesn't make Iris a terribly likeable character. Once the mystery begins, White adds an extra dimension to Iris' concern for Miss Froy by making her begin to doubt her own sanity. There are shades here of the way women were treated as 'hysterical' – not really to be depended upon, creatures of emotion rather than intellect. There's an ever-present threat that the men, baddies and goodies both, may at any time take control of Iris' life, deciding over her head what's best for her, and that the other passengers would accept this as normal. With no friends and no language skills, Iris finds herself very alone for almost the first time in her life, and growing increasingly afraid. Oddly, it reminded me a little of Charlotte Perkins Gilman's The Yellow Wallpaper – the idea that a woman could so easily be declared unstable or even 'mad', and find herself treated so dismissively that she might even begin to doubt herself. There's also one of those romances of the kind that would make me snort with outrage if it happened in a contemporary book, but which works fine in a novel of this period. You know the kind of thing – man meets 'girl' and falls instantly in love even though he thinks she's a hysteric and quite possibly insane, because she's very pretty, after all; and she loves him right back even though he treats her like a slightly retarded three-year-old, or maybe like a favourite puppy, because he's awfully handsome and quite witty. Admittedly the rest of the men are all so much worse that I found myself quite liking him too... White's writing is excellent and, although the motive for the plot is a bit weak, the way she handles the story builds up some great tension. She's insightful and slightly wicked about the English abroad and about attitudes to women, both of which add touches of humour to lift the tone. And she rather unusually includes sections about Miss Froy's elderly parents happily anticipating the return of their beloved only child, which gives the thing more emotional depth than I'd have expected in a thriller of this era. I thoroughly enjoyed the book, and am looking forward to seeking out more of White's work, and to re-watching the Hitchcock version of the movie. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 24, 2016
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Nov 27, 2016
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Nov 24, 2016
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Kindle Edition
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191098504X
| 9781910985045
| 191098504X
| 4.16
| 77
| Jul 21, 2016
| Jul 21, 2016
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really liked it
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A fine collection... This is a collection of loosely linked short stories based in the Suffolk sandlings, an area the author clearly knows and loves we A fine collection... This is a collection of loosely linked short stories based in the Suffolk sandlings, an area the author clearly knows and loves well. Although each story stands by itself, locations reappear frequently, and occasionally characters at the centre of one story are referred to peripherally in another, which gives the collection a feeling of wholeness – the individual pieces gradually fitting together to create a complete picture of the landscape and community of this place. Many of the stories include the wildlife of the region, either actually or symbolically – foxes, deer, owls, et al. There is a tone of nostalgia running through the collection. Although most of the stories are set in the present day, they are often looking back at events in the past, and there is a general theme of connections across the generations. This allows Thornton to look at how the region has changed, with the collapse of many of its traditional ways of life, such as fishing; and also to look forward with a kind of fear to an uncertain future, as sea rises due to climate change threaten this low-lying coastal land. The writing is excellent, especially when she is writing about the natural world... As he stood he closed his eyes and let his mind trace out the melody as it rose and fell. He knew no other bird which could combine within a single phrase that round, full-throated tone like a thrush or blackbird before soaring up as impossibly high as the trilling of a skylark. But his favourite of all was a low, bubbling warble, a note so pure and liquid clear you felt refreshed to hear it, as if you had actually drunk the spring water the sound resembled, welling fresh from the rock. Several of the stories have an air of ghostliness about them, usually mild and not the main focus, though there is one that I feel counts as a 'proper' ghost story, and beautifully creepy it is too! Lots of them also read almost like folk tales, or rely on superstition for their impact. But there's also humour in the collection, which prevents the nostalgia from becoming overly melancholic. These are stories with an ending, rather than the more fragmentary style so often employed in contemporary short story writing. Normally I prefer stories with endings, but to be honest sometimes the endings here feel a little contrived, almost amounting to the dreaded “twist” on occasion. But this is my one criticism of a collection which I otherwise thoroughly enjoyed and recommend, from an author I am now keen to investigate further. As with any collection, I enjoyed some of the stories more than others – here are a few of the ones that stood out for me... The White Doe – the first story in the collection, this tells of a woman grieving the death of her mother. The doe of the title refers both to an old folk tale and to an actual white doe, that Fran spots in the woods near her home. As the story unfolds, we learn that Fran has a personal history that in a strange way mirrors the folk tale. I found this story excellently written and frankly rather disturbing, and it set the tone of gentle unease that runs through much of the collection. The Watcher of Souls is a beautiful story about Rebecca, an elderly lady in remission from cancer. During her regular walks in the woods, she becomes fascinated by a barn owl that roosts in an old, split oak tree. One day, she finds an old tin buried within the hollow of the tree, and within it are some old love letters... The ending was one of those that felt a little too contrived for my taste, but otherwise this is a sad little story made lovely by the subtlety of the writing. The Interregnum – this is a deliciously and wickedly funny tale of village life. The local parish priest is on maternity leave, so the parish brings in a 'temp' to cover – an unordained but highly qualified woman, Ivy. We see the story develop through the eyes of Dorothy, the elderly secretary of the parish council. Ivy, the stand-in, keeps telling the parishioners of the pagan rituals that pre-dated and were often absorbed into Christianity. Although some of her ideas seem a bit strange, the parishioners are a kind lot who go along with her ideas, until they gradually find themselves performing rites that feel, somehow, vaguely pagan. The ending of this one is also a twist, but in this case it works perfectly and left me laughing. Well-told, and a nice indicator of how Thornton can write in a variety of styles. Mackerel – the final story in the collection and one that in many ways sums up the themes of the book. An old woman is cooking mackerel for her favourite granddaughter, and as she does, she reminisces about the differences between her own life when she was young and her granddaughter's life – both with entirely different aspirations and expectations, but both finding life fulfilling in their own ways. The story also talks of fishing, back when it was a way of life rather than an industry, and when mackerel was still plentiful before it was overfished almost into local extinction. A very nostalgic tale, this one, almost elegiac, as of a lifestyle lost forever. And a fine one to end on. NB This book was provided for review by the author. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 19, 2016
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Dec 09, 2016
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Nov 19, 2016
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Paperback
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1926487427
| 9781926487427
| B00N27UHME
| 3.92
| 73,625
| 1929
| Aug 26, 2014
|
really liked it
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Colour me white... When Irene accidentally meets her childhood friend Clare in a tea-house in Chicago, she's not altogether surprised to discover that Colour me white... When Irene accidentally meets her childhood friend Clare in a tea-house in Chicago, she's not altogether surprised to discover that Clare is 'passing' as white. Clare had always wanted the good things in life and, when she disappeared from home as a teenager, her friends suspected she'd found a way to make use of her beauty. Now Clare is married to a rich white man, John Bellew, with whom she has a child. But John hates 'niggers' and Clare knows her marriage would be over if he ever found out about her mixed heritage. Irene rather despises Clare for, as she sees it, a kind of betrayal of her race, but nevertheless can't resist the appeal of her charm. And so, their friendship is resumed – dangerous to Clare's marriage, but as it turns out, dangerous to Irene too... Despite the title and basic premise of the book, this is as much about marriage and status as it is about race. Irene is respected in her society in Harlem. Her husband Brian is a doctor and they have a relatively wealthy life. But we soon learn that Brian is discontented – he hates living in a country where he is treated as inferior because of his race. Irene on the other hand loves her life and wants nothing more than she has. Clare is the catalyst who brings this division into sharp focus, forcing Irene to question what's important to her and to wonder if her marriage is as solid as she had always thought. I appreciated that the book doesn't focus exclusively on the race issues. Sometimes books become so polemical it feels as if the people are tokens rather than rounded characters in their own right – I'm thinking of Americanah, for example. In this one, none of the characters is defined entirely by race – the questions that absorb them most have little overtly to do with colour. In a way, that makes the incidents of racism feel all the more brutal and shocking when they do happen. Written in 1921 long before the civil rights movement really got underway, we see how white people felt it was totally acceptable to publicly and casually express views that many of us would now find repugnant (pre-Trump – sadly, it now appears to be the new normal again), and how black people, even wealthy ones, had no real recourse other than to accept it and try not to let it define their entire lives. Brian and Irene's ongoing difference about how to bring up their sons encapsulates a debate that I'm sure must have been going on endlessly in the black community of the time – Irene wanting to shield them for as long as possible from the knowledge of how racist their society is, while Brian feels they should be taught early what to expect and taught to resent it. The deeper question than simply colour is perhaps about the sense of belonging. Despite having wealth and a husband who loves her, Clare the risk-taker longs for the people and places of her childhood and is willing to gamble recklessly with everything she has for the fleeting pleasure of spending time back in that society. Irene on the other hand sees that same society as a place of security and contentment, and her sole desire is not to have her life disrupted. Both the women can tolerate the racism of their world so long as it doesn't directly impinge on them. Brian, however, resents racism as a political thing, not just personal – a thing that makes him hate his nation and rather despise his peers for their acceptance of it. In him, we see the anger and discontent that would eventually lead to the rise of the civil rights movement. The characterisation of Irene is the book's major strength. It is from her perspective that the book is told, although in the third person. She operates within the conventions of her time, deferring outwardly to her husband, playing the little wife who's always endearingly late for things and just a bit scatterbrained. But inwardly she has a core of steel – she has achieved exactly the life she wants and will defend it in any way she can. If that means she has to manipulate her husband to give up his dreams in favour of hers, so be it – she has the intelligence and fierce drive to do it, and the self-awareness to know that that's exactly what she's doing. But her slightly repelled fascination for her old friend allows Clare to sneak through her defences, and suddenly Irene finds she's losing control of the situation – something she's not used to and that frightens her. I regret to admit that I think the ending is almost laughably silly, which is a major pity since I was loving it up to that point. I wonder if Larsen maybe just couldn't think how to get her characters out of the situation she had so carefully and brilliantly crafted for them. Personally (and you don't often hear me say this) I wished the book was a few chapters longer with a more complex and psychologically satisfying dénouement. But despite that disappointment, I still think this is an excellent book that gives real insight into this small section of black society at a moment in time, and would highly recommend it. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 18, 2016
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Nov 20, 2016
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Nov 18, 2016
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Kindle Edition
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0553446754
| 9780553446753
| B00N6PD3GE
| 4.13
| 154,904
| 2015
| Mar 10, 2015
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it was amazing
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An avoidable disaster... On a day which had earlier been foggy but was now clear and calm, some passengers aboard the Lusitania stood on deck and An avoidable disaster... On a day which had earlier been foggy but was now clear and calm, some passengers aboard the Lusitania stood on deck and watched the 'dead wake' of a German U-boat torpedo heading towards the bow of the ship. It was 7th May 1915; Europe was engulfed in war while the USA was desperately maintaining its position of neutrality. Larson tells the story of the last voyage of the Lusitania, its passengers and crew, and the wider political situation that gave rise to the circumstances in which the ship was left unprotected in waters in which it was known U-boats were operating. Larson starts with a prologue about the evening before the attack. Before she sailed from New York, the Germans had threatened they would attack the Lusitania, but the passengers weren't particularly anxious. The Lusitania had been built for speed, the fastest ship of its time. Captain William Turner was confident she could outrun any U-boat. Anyway, given the threat and the knowledge that U-boats were operating around the coasts of Britain and Ireland, there was a general confidence that the Royal Navy would be on hand to escort them for the last dangerous stage of the journey. Larson uses four main strands to tell the full story of what happened. We learn about the codebreakers of the British Admiralty who had obtained the German codes and were therefore able to track U-boat movements with a fair degree of accuracy. Eerily reminiscent of the Bletchley codebreakers of WW2, there was the same dilemma as to how often to act on information obtained – too often and the Germans would work out that their codes had been cracked, and change them. So some ships were left unprotected, sacrifices, almost, to the greater war effort. Churchill was First Lord of the Admiralty at the time, and was desperate to draw the US into the war on the British side. There appears to be little doubt that he felt that if German U-boats sank ships with American citizens aboard, this might be a decisive factor. Secondly, Larson takes us aboard U-20, the U-boat that would fire the fatal torpedo, and introduces us to its Captain, Walther Schwieger. By using Schwieger's logs amongst other sources, Larson creates an absorbing and authentic-feeling depiction of life aboard the ship, including a lot of fascinating detail about how U-boats actually worked – the logistical difficulties of diving, with the weight constantly changing as the amount of fuel aboard decreased; and how the crew would have to run from place to place to keep the boat level when manoeuvring. Larson widens this out to tell of some of the dangers for these early submarines, and some of the horrific accidents that had happened to them. And he takes us further, into the ever-changing policy of the German government with regards to the sinking of passenger and merchant ships. The third aspect revolves around President Wilson and America's lengthy vacillations before finally committing to war. Politically hoping to sit it out while Britain bore the brunt, Wilson was also suffering personally from the loss of his much-loved wife, closely followed by what sounds like a rather adolescent rush of passion for another woman. It appears that he spent as much time a-wooing as a-Presidenting, and his desire to spend his life taking his new love out for romantic drives meant that he seemed almost infinitely capable of overlooking Germany's constant breaches of the rules regarding neutral nations. (I should say the harshness of this interpretation is mine – Larson gives the facts but doesn't draw the conclusions quite as brutally as I have done. Perhaps because he's American and I'm British. But he leaves plenty of space for the reader to draw her own conclusions.) The fourth section, and the one that humanises the story, is of the voyage of the Lusitania itself. Larson introduces us to many of the passengers, telling us a little of their lives before the voyage, so that we come to care about them. There were many children aboard, including young infants. Some people were bringing irreplaceable art and literary objects across in the way of business. There were pregnant women, and nannies and servants, and of course the crew. Larson explains that the crew were relatively inexperienced as so many sailors had been absorbed into the war effort. While they carried out regular drills, logistics meant they couldn't actually lower all the lifeboats during them, so that when the disaster actually happened this lack of experience fed into the resulting loss of life. But he also shows the heroism of many of the crew and some of the passengers, turning their backs on their own safety to assist others. Even so, the loss of life was massive, and by telling the personal stories of some who died and others who survived but lost children or parents or lovers, Larson brings home the intimate tragedies that sometimes get lost in the bigger picture. And finally, Larson tells of the aftermath, both personal for some of the survivors or grieving relatives of the dead; and political, in terms of the subsequent investigations in Britain into what went wrong, and Wilson's attempts to ensure that even a direct attack on US citizens wouldn't drag his country into war. Larson balances the political and personal just about perfectly in the book, I feel. His excellent writing style creates the kind of tension normally associated with a novel rather than a factual book, and his careful characterisation of many of the people involved gives a human dimension that is often missing from straight histories. He doesn't shy away from the politics though, and each of the governments, British, German and American, come in for their fair share of harsh criticism, including some of the individuals within them. An excellent book, thoroughly researched and well told – highly recommended. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 17, 2016
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Dec 07, 2016
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Nov 17, 2016
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Kindle Edition
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0997889209
| 9780997889208
| B01K3CXVGY
| 4.22
| 9
| unknown
| Nov 01, 2016
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really liked it
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The sins of the past... When the foundations are being dug for a new performing arts building at Tilton Univerity in Pennsylvania, the building crew ar The sins of the past... When the foundations are being dug for a new performing arts building at Tilton Univerity in Pennsylvania, the building crew are shocked when they discover a skeleton buried there. Forensic tests show that it belonged to a young man and dates from around forty years earlier. Back in the early '70s, Bryan Roades was a student at the University. Inspired by the great Woodward and Bernstein investigation into the Watergate affair, Bryan hoped to emulate them by becoming a campaigning journalist. He was preparing a story on women's issues for the University newspaper, focusing on the Women's Lib movement and how some of the debates of the time were impacting on the female students. Some of the people he approached, though, didn't want to see their stories in print, but Bryan was more interested in the greater good (and his own advancement, perhaps) than in individuals' rights to privacy. When he disappeared, the police could find no trace and most people thought he'd simply done that fashionable thing for the time – gone off to 'find himself'... This is Margot Kinberg's third Joel Williams book, but the first I've read. Margot and I are long-time buddies via our blogs, so you will have to assume that there may be a level of bias in this review, but as always I shall try to be as honest as I can. Joel Williams is an ex-police detective now working as a Professor in Criminal Justice in the fictional university town of Tilton, PA. He still has lots of contacts with his old colleagues in the police department and can't resist using his inside knowledge of the University when a corpse turns up on campus. But he's not one of these mavericks who works it all out on his own – we also see the police procedural side of the case through the two detectives who are investigating it, and Joel promptly hands over to them any information he finds. I like this way of handling the 'amateur detective' aspect – too often, the reasons for amateur involvement stretch credibility too far, and many authors fall into the cliché of having to make the police look stupid in order to make the amateur look good. But here Joel's investigation enhances the police one rather than detracting from it. As someone who is tired to death of the drunken, dysfunctional, angst-ridden detective of fiction, I also greatly appreciated Joel's normality and stability. He has a job that he enjoys and is good at, he stays sober throughout and has a happy marriage. But he also has a curious mind, especially when it comes to crime, and an empathetic understanding of the people he comes across in the course of his investigation. The small-town setting and the rather closed society of the University within it gives that feeling of everyone knowing everyone else's business – a setting where privacy is harder to come by than in the anonymity of a big city, and is more treasured for that very reason. Kinberg uses this well to show how people feel threatened when it looks like things they'd rather stay secret might be about to come into the open. The time period adds to this too, and Kinberg makes excellent use of the changes we've seen in society over the intervening period – many of the things people were concerned about being revealed back in the '70s don't seem like such big scandals today, but could have destroyed careers and even lives back then. And as we learn more about the people Bryan was proposing to write about in his article, the pool of people who may have been willing to take drastic action to stop him grows... In style, the book mirrors the Golden Age crime – a limited group of suspects, clues, red herrings, amateur detective, etc. And, of course, the second murder! But it also has strong elements of the police procedural, with the two detectives, Crandall and Zuniga, sharing almost equal billing with Joel. There's a little too much grit in the story for it to fall into 'cosy' territory but, thankfully, it also steers clear of the gratuitously gruesome or graphic. I'm not sure how well it will work for people who enjoy the darker, more brutal side of crime fiction, but an intriguing and interesting story for those who prefer the traditional mystery novel. Just my kind of thing, in fact, and I found it a thoroughly enjoyable read. Recommended. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 16, 2016
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Nov 19, 2016
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Nov 16, 2016
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Kindle Edition
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B010RGSEP4
| 4.15
| 4,470
| Jan 28, 2016
| Jan 28, 2016
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it was amazing
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Winner of the 2016 McIlvanney Prize... When Peter Elphinstone drives off the road into a river one cold, dark night, it appears to have been a tragic a Winner of the 2016 McIlvanney Prize... When Peter Elphinstone drives off the road into a river one cold, dark night, it appears to have been a tragic accident. But Peter's sister isn't convinced. She knows Peter was stressed and unhappy in his new marriage and fears there's more to his death than it looks at first sight. So she asks journalist Jack Parlabane to investigate. The uniformed police officer who attended the scene of the crash also isn't wholly convinced, but CID seem happy to let the incident be filed under accident. So Ali and her new partner Rodriguez carry out a little investigation of their own. Soon all the evidence seems to be pointing towards Peter's wife, Diana... This is my first introduction to Chris Brookmyre and I was hugely impressed by the quality of the writing. The book is told partly in third person from Parlabane's point of view, partly in first person from Diana, and partly from a neutral third person voice covering any aspect not directly involving either of these two characters. Diana is a surgeon who once kept an anonymous blog where she complained about the sexism shown to women within medicine and the NHS in general, and told some fairly damning stories about colleagues. Her cover was blown when she got hacked, and a huge public scandal ensued that led to Diana being forced to leave her high-flying job down South and head for the small and rather remote town of Inverness in the Scottish highlands where, despite her reputation, the management were keen to have such a skilled surgeon on their books. Alone, forty, and with her body-clock ticking loudly, it's here that she meets Peter, one of the hospital's IT guys, and after a whirlwhind romance, they marry. The question is: what lead to Peter's death only six months later? Diana tells us the story of their relationship, while Parlabane digs into her background. The NHS setting is brought convincingly to life, and I say that as someone who has spent most of her working life in it. All the rivalries, the arrogance of the top medical professionals, the strict pecking order, the cliques and groups, the loyalties and ultimately the professionalism are all very well done. Brookmyre shows the sexism as an institutional thing – that it is hard for women doctors and surgeons to balance such a demanding career with a fulfilling family life – rather than overt sexism from male colleagues, and again I found this very true to life. The characterisation is very good, especially of the main characters, Diana and Peter, both of whom Brookmyre manages to keep ambiguous even while we learn a lot about them. The plotting also starts out great, though in truth I felt the outcome was pretty well signalled by about halfway through, meaning the twists towards the end came as no big surprise. There are also a couple of pretty big deviations from reality, which I'm not sure would be noticed by non-Scots in one instance, and non-Scottish NHS employees with a good understanding of the rules around NHS IT confidentiality in the other. Unfortunately, being both those things, they leapt out at me and left me wondering if it had been a failure of research or whether Brookmyre had simply decided to twist things to fit his plot. A degree of fictional licence is always permissible, of course, so I did my best to overlook them, but they did kinda spoil the credibility for me, especially since both were important as to how the plot worked out. Despite those criticisms, I found the book very readable and more-ish, doing that just one more chapter thing till the wee sma' hours. Parlabane is a likeable character. He's clearly had some ethical problems in the past, and still isn't averse to breaking the odd law or two, but in this one at least his motives are good and he doesn't go too far into maverick territory. His divorce has just become final, and he's finding himself approaching middle-age, single and with his career going through a rocky patch. Brookmyre handles all of this well, including plenty of humour in the book to prevent any feeling of angsty wallowing. 4½ stars for me, so rounded up. NB This book was provided for review by the publisher, Grove Atlantic. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Nov 14, 2016
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Nov 16, 2016
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Nov 14, 2016
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Kindle Edition
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0712356231
| 9780712356237
| 0712356231
| 3.43
| 1,852
| 1931
| Jan 01, 2015
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it was amazing
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A locked-room mystery... Amateur detective, Dr Eustace Hailey, is visiting a friend in Mid-Argyll in the Scottish Highlands, when a murder is committed A locked-room mystery... Amateur detective, Dr Eustace Hailey, is visiting a friend in Mid-Argyll in the Scottish Highlands, when a murder is committed in nearby Duchlan Castle, home of the laird, Hamish Gregor. The victim is the laird's sister, Mary, a woman to all outward appearances of a saintly nature, the last person one would expect to be brutally slain. Her body is found in her bedroom, with the door and windows locked from the inside, and no obvious way for the murderer to have got in or out. The local Procurator Fiscal has heard of Dr Hailey's reputation and begs him to come and look at the scene, fearing it may be some time before a police detective arrives in this remote spot. It's not long before Dr Hailey discovers that Mary Gregor had another, darker side to her nature, harsh and judgemental, manipulating and controlling the people around her to get her own way in all things, no matter the cost to others... These British Library re-issues of vintage crime novels have been a bit hit or miss for me, so I'm delighted to say this one is most definitely a hit! I was simultaneously attracted to and apprehensive about it because of its Scottish setting – so often at that period Scottish characters were annoyingly stereotyped as either figures of fun or drunken, belligerent half-savages by the rather snobbish English writers of the time. However I needn't have worried – it turns out Wynne was Scottish himself, and the picture he paints of this Highland society gives a real feeling of authenticity, even though it does, as with most Golden Age crime, concern itself primarily with the aristocratic and professional classes. There is an interesting, short introduction from Martin Edwards, giving a little background information on the author, and setting the book into its place in the history of crime fiction. Although the focus is largely on the locked-room puzzle of how the crime could have been done, there's some pretty good characterisation along the way. Not so much of the detective, Dr Hailey – I believe this was quite far along in the series so Wynne may have presumed his readers already knew about him. But the victim's personality is key to the motive, and, though she's dead before we meet her, we get an increasingly clear picture of her in all her malevolence through the eyes of the various people who knew her. Her brother Hamish, the laird, is another fine creation – his snobbery and sense of self-importance, his pride in his family and lineage, his weakness to stand up to his sister, his insistence on the maintenance of tradition. I particularly liked the way Wynne portrayed the women, showing them as subordinate within this society, but strong within themselves; victims sometimes, but not hysterical ones; and intelligent, worthy partners for the men they loved. Of course, there is more than one murder, and I have to admit that the second one took me totally by surprise and actually made me gasp a little. There's no real horror aspect in the book, but it nevertheless builds a great atmosphere of rather creepy tension, aided by the superstitions of the Highland folk. It does veer into melodrama at points, but that works well with the rather gothic setting of the old house filled with secrets from times gone by. I wouldn't call it fair-play – I think it would be pretty impossible to work out the who, why and how of the crimes. And yes, it does stretch credibility when all is revealed – the method, at least, though the motivations of all the characters were credible enough to carry me over any other weaknesses. I enjoyed this one very much – another author the British Library has managed to add to my list! NB This book was provided for review by the publisher, Poisoned Pen Press. www.fictionfanblog.wordpress.com ...more |
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1
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Nov 12, 2016
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Nov 13, 2016
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Nov 13, 2016
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Paperback
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1782118322
| 9781782118329
| B01F5D2XRE
| 3.55
| 2,829
| Nov 03, 2016
| Nov 03, 2016
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did not like it
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Yet another in the long list of abandoned fiction books this year, and for pretty much the same reason as all the rest - this fashion for plotless mus
Yet another in the long list of abandoned fiction books this year, and for pretty much the same reason as all the rest - this fashion for plotless musings simply isn't for me. As usual, my 1-star rating reflects my personal reaction to the book rather than a quality judgement. I'm quite sure this will work better for other people. It's well enough written and has some mildly wicked humour, but is deeply pretentious in parts and, while it's quite insightful about the ageing process, for me, that's not enough to call it a novel. Abandoned at 22%.
...more
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0
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not set
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not set
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Nov 05, 2016
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Kindle Edition
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1784296694
| 9781784296698
| B01ARXVSPU
| 3.96
| 6,642
| Nov 03, 2016
| Nov 03, 2016
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really liked it
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Long live the Queen! It's 1953, and Detective Inspector Edgar Stephens is investigating the death of a fortune-teller who drowned off the Brighton pier Long live the Queen! It's 1953, and Detective Inspector Edgar Stephens is investigating the death of a fortune-teller who drowned off the Brighton pier. It looks like an accident, but the possibilities of suicide and murder have to be ruled out. However, Edgar's investigation is interrupted when he is called to London by General Petre to look into the mysterious death of Colonel Cartwright, who used to be one of Edgar's superior officers during the war. General Petre has called on Max Mephisto to help too, since Max also worked with Colonel Cartwright, and there are aspects of the murder that suggest it may have something to do with the Magic Men – the outfit Max and Edgar were involved in, which used illusion to fool the Germans into thinking the Allies had greater defences than they actually did. It soon transpires that Colonel Cartwright was afraid that a plan was afoot to disrupt the coronation of the new young Queen, Elizabeth II, so Edgar and Max are under pressure to solve the case before that event takes place in a couple of weeks time. I've enjoyed the previous books in this new series of Elly Griffiths' a great deal, so had high hopes for this one. The Brighton setting just after the end of WW2 is brilliantly evoked, especially the rather seedy tone of the theatres and musical halls, and the performers who live a nomadic life around the various seaside towns of England, with, if they're lucky, an occasional booking amidst the bright lights of London's West End. Max is currently performing at the Theatre Royal in London, and has been tempted somewhat against his better judgement to appear on the new-fangled television – a medium he fears will lead to the final death of the already fading variety theatre. The TV show is scheduled to be shown on the evening of the Queen's coronation. Edgar meantime is still trying to pin Ruby down to setting a date for their wedding, but Ruby is not ready to give up her aspirations to become as great a stage magician as her father, Max. And Edgar's colleague, Emma, is still harbouring feelings of unrequited love for him. Which is all a little annoying, since this book is set two years after the last one, and yet none of these characters seem to have moved on emotionally from how they were left then. Shades of the tedious Ruth/Nelson saga from Griffiths' other series beginning to creep in, I fear. I wish Griffiths could either leave the romance out of her books, or else move it along – she seems to stick her characters into a situation and then leave them there forever. Hopefully she'll resolve this triangle in the next book, or I'm afraid it will become as dull as poor old Ruth's never-ending non-love story. The plot of this one takes Edgar to America, which provides quite a bit of humour as Edgar tries to understand a society that feels very foreign to him. The picture Griffiths paints of America at that time feels very much based on movies of the period – it doesn't give quite the same aura of authenticity as the Brighton scenes. But it adds an extra element of interest by expanding out from the rather restricted setting of an English seaside town. For me, the plot of this one is too convoluted and loses credibility before it reaches the end. While it's very well written and has a great dramatic ending, my disbelief was stretched well past breaking point before it got there. However, the recurring characters remain as enjoyable as ever, and as usual there are plenty of quirky new ones introduced to keep the interest level up. I also enjoyed the glimpse of the early days of television, when it was all still experimental and, of course, broadcast live, giving it plenty of potential for unexpected drama. Overall, this isn't my favourite of the series, but it's still a good outing for Edgar, Max and the other recurring characters, and I look forward to seeing where they go next – with my fingers firmly crossed that they don't remain stuck in their emotional ruts for too much longer. NB This book was provided for review by the publisher, Quercus. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Oct 31, 2016
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Nov 03, 2016
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Oct 31, 2016
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Kindle Edition
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B01LRSZYCM
| 4.09
| 161
| unknown
| Sep 07, 2016
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it was amazing
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Abracadabra! Eli Marks is a stage magician with a penchant for getting mixed up in murder, often via his ex-wife, the delightfully named Assistant Dist Abracadabra! Eli Marks is a stage magician with a penchant for getting mixed up in murder, often via his ex-wife, the delightfully named Assistant District Attorney Deirdre Sutton-Hutton and her new husband, Homicide Detective Fred Hutton. The books are full of humour and, though set in the present day, have plots that are reminiscent of Golden Age mysteries, with clues, suspects, red herrings, etc. Having loved each of the full-length Eli Marks novels, I couldn't resist seeing if John Gaspard could work the same magic in a short story. And the answer is yes - this is just as much fun as the books! The short format obviously doesn't allow for the complexity of plotting of the novels, and regular readers already know these three characters and the dynamics amongst them, so there's no need for much character development. But all the usual humour is there and, as usual, Eli's knowledge of stage magic plays its part. I didn't work out the solution, or even get close, but found it nicely satisfying when all was revealed. Gaspard is great at “impossible” crimes, where the fun is in working out how it was done, and the method is always beautifully quirky. The books are usually whodunits too, but to make it work in the short story format, Gaspard has put the mystery into the method rather than having a complex list of suspects. It works perfectly as a standalone, either as a little treat for existing fans impatiently waiting for the next book, or as an introduction to Gaspard's style for newcomers. It is very definitely a short story, not a novella – I'd say it took me about twenty minutes or so to read. But I was smiling for longer than that... www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Oct 24, 2016
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Oct 24, 2016
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Oct 30, 2016
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Kindle Edition
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0691157243
| 9780691157245
| 0691157243
| 4.25
| 3,138
| Sep 12, 2016
| Sep 29, 2016
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it was amazing
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From 2+2 to Superstring Theory and beyond... The preface explains that this book arises from a course run by the three authors at Princeton University From 2+2 to Superstring Theory and beyond... The preface explains that this book arises from a course run by the three authors at Princeton University – a course on the universe for non-science majors; indeed, for students who perhaps had never taken a science course before. My knowledge of science is pretty basic and my maths is, if anything, even dodgier. So although the idea of the book intrigued me, I feared it might be way over my head. The book is divided into three sections, each written mainly by one of the authors with the occasional contribution from one of the others. The first section is Stars, Planets and Life with Tyson as the main author and a couple of chapters from Strauss. It starts brilliantly for the beginner, with an introduction to the very simplest stuff, like how long it takes for the Earth to revolve on its axis. At this early stage, Tyson assumes no prior knowledge and lays down some terminological groundwork for the more difficult stuff to come later. For example, he explains exactly what an Astronomical Unit is and that it is abbreviated to AU. He's very funny, so that these chapters are entertaining as well as informative. Each section takes the history of scientific discovery as a template for explaining what scientists know about the universe today and how they know it. All through the book, the authors are careful to credit those who came before, even when subsequent discoveries may have proved them wrong in some aspect. They show how even disproven theories contributed to the advances made by later scientists. There are a couple of chapters in this first section that are very heavy on maths and, truthfully, lost me so badly that I wondered whether there was much point in continuing. But I decided to struggle on and happily discovered that most of the book is perfectly accessible even to those of us whose eyes glaze over at any equation more complex than 2+2=4. On the other hand, there's loads of very well explained maths in there for anyone whose mind works that way, or who wants to get a feel for whether they would like to study astrophysics at higher levels perhaps. Tyson takes us through how scientists learned to measure distances between stars, how they work out their composition and age, and goes into considerable depth on the lifecycles of stars. It's fascinating stuff and made me realise how often popular science books just tell the reader something and expect us to accept it. Not this one – every statement is backed up with detail of how we know these things and what they mean in the broader context of the universe. Throughout, the book is superbly illustrated, not just with pretty pictures (though most of them are) but with clear, beautifully designed and explained diagrams and charts that are hugely helpful in understanding the text and visualising things like size comparisons. This section finishes with a chapter on the search for planets that could support life, explaining exactly what scientists are looking for and why, and how they're going about it. Strauss takes over as the main author for the second section on Galaxies. He takes the reader through the history of how our own galaxy was first mapped and then the discoveries that led to scientists realising that the Milky Way is only a tiny part of the universe. This section has some fantastic images from the various exploratory missions like Hubble, but the really great thing is that Strauss explains in detail what we're actually seeing – how to interpret the images rather than just admiring them. He then goes on to explain the discovery that (almost) all galaxies are moving away from each other, proving that the universe is expanding and enabling scientists to estimate its age and speculate as to its future. There is a fair amount of maths again in this section, but I found it easy to ignore for the most part while still grasping the concepts Strauss describes. The final section is by Richard Gott and takes us from Einstein's relativity back to the Big Bang and beyond. I hold my hands up – it's at Einstein that my brain always closes down and I find myself overwhelmed with an urgent desire to giggle, somewhat hysterically. However, Gott actually explained the whole E = mc2 thing well enough for me to more or less grasp, plus for the first time I now kinda understand why nuclear bombs work (not sure of the usefulness of that knowledge, but you never know when it might come in handy). His explanation of black holes and spaghettification is both humorous and clear. He then takes us through all the stuff that sound more like Star Trek plots than science (to my limited mind) – cosmic strings, wormholes, time travel, superstring theory, inflation, etc. While I'll never fully grasp this stuff and retain a large degree of cynicism about a lot of it, Gott's explanations are great, and hugely enhanced by some of the best and clearest diagrams I've come across, including a spectacular six-page spread in full colour showing Gott's own map of the universe. He finishes with some speculation about the beginnings of the universe and even what may have come before the Big Bang, and shows how these (crazy-sounding) ideas arise out of the most recent science, while making very clear which bits have been confirmed by observation missions and which haven't yet. Fascinating stuff! His final plea is for Earth to look quickly at colonising Mars to increase our species' chances of longterm survival. This is a great book, managing to be both hugely informative and entertaining – undoubtedly the best and most comprehensive of its kind that I've come across. It seems to me it is indeed suitable for a beginner so long as s/he has an enquiring mind and either the ability to understand the maths or the willingness to skim over those bits that are maths-heavy. Highly recommended, but do get the hardback rather than the Kindle – it's beautifully designed and produced, and the illustrations are an essential aid to understanding the text. NB This book was provided for review by the publisher, Princeton University Press. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Oct 28, 2016
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Nov 17, 2016
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Oct 28, 2016
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Hardcover
| |||||||||||||||
1782118470
| 9781782118473
| B01E7JWIUO
| 3.92
| 14,392
| Mar 14, 2017
| Oct 27, 2016
|
really liked it
|
Original and intriguing... There's an unusual heatwave going on when Mahony arrives in Mulderigg, a “benign little speck of a place, uncoiled and spraw Original and intriguing... There's an unusual heatwave going on when Mahony arrives in Mulderigg, a “benign little speck of a place, uncoiled and sprawling, stretched out in the sun. Pretending to be harmless”. But then everything about Mulderigg is unusual, not least the fact that dead people are wandering all through it. Ghosts, but very human ghosts, looking and acting much as they did when they were alive. Mahony has been in Mulderigg before, when he was a baby, though he has no memory of it. Now he's back to look for his mother, Orla, and to find out why he ended up in an orphanage in Dublin. But most of the people of Mulderigg don't seem to want to talk about Orla, and those who do have nothing good to say about her. The story they give is that she left the village and must have abandoned Mahony – but Mahony won't accept this, and nor does Mrs Cauley, an old woman who used to be an actress and now fancies herself as something of a Miss Marple. This unlikely duo set out to discover the truth, with the dubious assistance of the dead... The book starts with a strangely off-kilter prologue in which we see a brutal murder carried out, but told in language that reads more as if what we are witnessing is a scene of beauty. And this sets the tone for the whole thing really – the writing is wonderfully crafted and full of beauty, while the story is ugly and the vast majority of the characters are pretty repugnant. It's executed superbly for the most part, with a good deal of humour, some of it of the black variety. The setting is somewhere in rural Ireland – I'm not sure that we're ever really told where – and the time is split between a “present” of 1976 and a past in the late '40s and early '50s. But the time is pretty irrelevant – this village doesn't feel as if it exists in normal space and time. It has a Brigadoonish quality to it and, although there are references to the outside world, it seems almost cut off and entirely self-sufficient. The plot, such as it is, is very stretched out and becomes increasingly far-fetched as it goes along. After I'd reached the end, I was left with a whole slew of unanswered questions and a general feeling that the author had got so carried away with the creation of her setting and quirky bunch of characters that she'd lost interest somewhere along the line in the actual story. There's no doubt Kidd brings this odd, mystical village to life, though I couldn't help feeling that sometimes it slipped from being Irish into Oirishness – I found myself thinking I wouldn't be at all surprised to meet a leprechaun with a shillelagh at any corner, though I hasten to add that she stopped short of that. Personally, I could also have lived without the constant rather childish swearing and vulgarity – to have one fart joke is unfortunate, but to have several smacks of carelessness, or a need for dietetic advice. I enjoyed the early part of the book a lot but gradually found that the style began to grate on me – somehow it feels overworked, every word polished and placed too carefully, giving the language itself precedence over the storytelling. The whimsical idea of the dead characters gains too much prominence in the end, so that every piece of dialogue or action is interspersed with endless descriptions of one or other of the ghosts doing something supposedly amusing in the background. And the extreme brutality of parts of the book feels like too great a contrast to the almost lyrical style in which they are told. This is clearly a deliberate stylistic choice, but one that I felt Kidd took too far, passing the point of acceptable shock to become distasteful. Having said all that, I think this début shows more originality than anything I've read this year and the quality of the prose is extraordinary. It suffers a little, I feel, from a hangover from “creative writing” classes, but I'm certain Kidd has the talent to find a better balance between style and substance as her writing matures, and will learn the art of what to leave out. Despite my relatively low rating of 3½ stars, I would still recommend this one as an intriguing introduction to an author of whom I'm sure we'll be hearing much more in the years ahead, and one whom I'll be keenly watching. NB This book was provided for review by the publisher, Canongate Books. www.fictionfanblog.wordpress.com ...more |
Notes are private!
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1
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Oct 27, 2016
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Oct 31, 2016
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Oct 27, 2016
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Kindle Edition
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my rating |
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3.77
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really liked it
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Dec 30, 2016
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Dec 24, 2016
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||||||
3.80
|
liked it
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Dec 24, 2016
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Dec 19, 2016
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||||||
3.22
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it was amazing
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Dec 19, 2016
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Dec 14, 2016
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||||||
3.97
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really liked it
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Dec 16, 2016
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Dec 13, 2016
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||||||
3.74
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really liked it
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Dec 14, 2016
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Dec 09, 2016
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||||||
3.95
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liked it
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Dec 08, 2016
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Dec 04, 2016
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||||||
3.55
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really liked it
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Dec 04, 2016
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Dec 01, 2016
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||||||
3.85
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it was amazing
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Dec 2016
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Nov 27, 2016
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||||||
3.74
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it was amazing
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Nov 27, 2016
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Nov 24, 2016
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||||||
4.16
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really liked it
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Dec 09, 2016
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Nov 19, 2016
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||||||
3.92
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really liked it
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Nov 20, 2016
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Nov 18, 2016
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||||||
4.13
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it was amazing
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Dec 07, 2016
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Nov 17, 2016
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||||||
4.22
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really liked it
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Nov 19, 2016
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Nov 16, 2016
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||||||
4.15
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it was amazing
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Nov 16, 2016
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Nov 14, 2016
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||||||
3.43
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it was amazing
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Nov 13, 2016
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Nov 13, 2016
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||||||
3.55
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did not like it
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not set
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Nov 05, 2016
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||||||
3.96
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really liked it
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Nov 03, 2016
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Oct 31, 2016
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||||||
4.09
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it was amazing
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Oct 24, 2016
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Oct 30, 2016
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||||||
4.25
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it was amazing
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Nov 17, 2016
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Oct 28, 2016
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||||||
3.92
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really liked it
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Oct 31, 2016
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Oct 27, 2016
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