Representations Quotes
Quotes tagged as "representations"
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“If you believe that your thoughts originate inside your brain, do you also believe that television shows are made inside your television set?”
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“Good customer care representatives will possess good knowledge to answer any questions without beating around the bush and delaying the issue for a few more days until they find somebody else to look into it.”
― 17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure
― 17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure
“Eating a meal in Japan is said to be a communion with nature. This particularly holds true for both tea and restaurant kaiseki, where foods at their peak of freshness reflect the seasonal spirit of that month. The seasonal spirit for November, for example, is "Beginning Anew," because according to the old Japanese lunar calendar, November marks the start of the new tea year. The spring tea leaves that had been placed in sealed jars to mature are ready to grind into tea. The foods used for a tea kaiseki should carry out this seasonal theme and be available locally, not flown in from some exotic locale.
For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.”
― Untangling My Chopsticks: A Culinary Sojourn in Kyoto
For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.”
― Untangling My Chopsticks: A Culinary Sojourn in Kyoto

“In qualunque angolo dell'universo troviamo vertiginosi pozzi di strati di realtà. In questi strati siamo riusciti a riconoscere regolarità, sulle quali abbiamo raccolto informazione rilevante per noi, che ci permette di farci un'immagine coerente dei singoli strati. Ciascuno è un'approssimazione. La realtà non è divisa in livelli. I livelli in cui la scomponiamo, gli oggetti in cui la dividiamo, sono i modi in cui la Natura si correla in noi, in quelle configurazioni dinamiche di eventi fisici nel nostro cervello che chiamiamo concetti. La separazione della realtà in livelli è relativa al nostro modo di interagire con essa.”
― Helgoland
― Helgoland

“The truth will always be what it is; the facts will always be what they are. Since we cannot change the truth or the facts, we can only change (improve) our minds, descriptions, and understanding. As long as we fight to preserve our truths and facts, provided they are not representations of the “absolute truth” and facts, we fight against the facts and the truth under the disguise of our definitions and proclamations sold as “real truths and facts.”
― ABSOLUTE
― ABSOLUTE

“The resulting garment was black, of course. But it was like no fabric I'd ever seen before, liquid and faintly glimmering. He had ordered each of his guardians to donate several of their feathers, and these he had woven into the material. They were not visible exactly, except as a suggestion of wings when the cloak caught the wind. It was a garment that needed no adornment, for it was like something snipped out of a dream, and he gave it none, apart from the row of buttons. I would have expected him to pick the finest of those I had gathered, but instead he chose a selection that would represent all the regions of his realm: silver from the Weeping Mines and the lower tributary of the Tromlu River; carved oak from the antlers of one of the hag-headed deer; colored marble from the Blue Hooks. The effect was more impressive than if he had adorned himself in jewels, for together the buttons possessed an enchantment that made strange images flit through my mind when I looked upon them, memories of places I'd never seen. A shadowy grove around a narrow standing stone; a flash of mist-shrouded water tumbling down a sheer cliff.”
― Emily Wilde's Compendium of Lost Tales
― Emily Wilde's Compendium of Lost Tales
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