Women S Adventure Quotes

Quotes tagged as "women-s-adventure" Showing 1-11 of 11
Diane Merrill Wigginton
“Bringing her eyes down again, Catherine found herself gawking at Jake’s perfectly formed, muscular chest and stomach. She felt her cheeks flush when she he noticed that his towel was still parted, showing off a very lean, muscular leg.”
Diane Merrill Wigginton, A Compromising Position

Miriam Verbeek
“That’s it. Let’s go.”
“Yep,” whispered Suley. He turned to leave. “This is crazy.” He had his phone in his hand. “Look, we’re still in Rowland Forest. What’s this fence doing here? How come it’s not marked?”
“We’ll tell your father about it.” Saskia pulled at his arm, looking anxiously around and up. To her horror, she saw a surveillance camera mounted on an overhead tree branch. It pointed straight at them. “Merde! Suley, we’ve got to go!” she hissed, pointing to the camera.
His eyes widened.
Distant shouts and an engine roaring to life exploded the forest calm.
Suley and Saskia bolted back the way they’d come.”
Miriam Verbeek, The Forest: An idylic Australian setting harbouring a criminal secret

Patricia D'Arcy Laughlin
“There’s no such thing as ‘settling down’ when you get married. Getting married is the most unsettling thing one can ever do.”
Patricia D'Arcy Laughlin, Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures

Miriam Verbeek
“Another mound of boulders reared up before her. She scrabbled along the base of the mound, slipping and sliding, barely catching herself from tumbling down the slope. She caught sight of the person coming after her. It was a man, brown hair in a halo around his white face. He glared up at her, lips drawn back over stained teeth in a snarl, long, bare arms eating the ground in leaps against her ineffectual progress.”
Miriam Verbeek, The Forest: An idylic Australian setting harbouring a criminal secret

Miriam Verbeek
“Saskia groaned again. She threw back her bed covers, the last vestiges of sleep leaving her. It would be evening in Lyon. Clarissa would be expecting to hear from her. A call-in at least once every 24 hours was part of several protocols Clarissa had established. The instruction at the end of the conversation, “Give the dogs a pat for me”, reassured Clarissa that all was well. Leave the words out, replace any one of the words in the sentence with another or not place a call in a 24-hour period, and Clarissa would alert authorities. In her younger years, Clarissa had served in the British army. Her experiences in those years had caused the trauma she now lived with, though she used her expertise by teaching her three partners basic self-defence, how to operate firearms and how to wield weapons. She also programmed their watches and phones to enable her to constantly track their whereabouts, explaining, “I want to know that my three charges are safe”.
Another protocol was to always check accommodation venues for listening devices. Saskia did this before calling Clarissa.
“Clarissa. Ça va?”
“What have you to report?”
Miriam Verbeek, The Forest: An idylic Australian setting harbouring a criminal secret

Miriam Verbeek
“She pulled open the reception area door, bright sunshine causing her to pause, momentarily blinding her. Her eyes adjusted and she saw Josh, Peta and Daryl in deep conversation at an outdoor table. Saskia retreated, holding the door open. She saw Daryl lunge out of his bench, reach across the table, grab the front of Josh’s shirt and haul him close. Daryl’s mouth worked in angry lines and Josh’s head bowed, shaking back and forth slowly. Peta glanced nervously over her shoulder and towards the door of the administration building. She laid a hand on Daryl’s arm, leaning towards him. Daryl let Josh loose, sinking back into his seat. Josh also sat back, tugging his shirt into place.”
Miriam Verbeek, The Forest: An idylic Australian setting harbouring a criminal secret

Cricket Rohman
“Lindsey loved her job almost as much as she loved her husband.”
Cricket Rohman, Wanted: An Honest Man

Miriam Verbeek
“Whoo-eeee!”
From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing.
“Whoo-eeee!”
Miriam Verbeek, The Forest: An idylic Australian setting harbouring a criminal secret

Steven Decker
“As we left Hava Java, I reached into my purse and discretely pulled out the Smith & Wesson handgun, putting it in my jacket pocket and keeping my finger on the trigger.”
Steven Decker, INNOCENT AGAIN: A LEGAL THRILLER

Chad Boudreaux
“She reached the door to the forbidden room. The door with the light escaping through the cracks. Her hands shook. Her eyes watered from the pull. She panted, her chest visibly moving in and out. Her teeth clenched. She switched off the flashlight, turned the knob, and pushed. ”
Chad Boudreaux, Homecoming Queen

Chad Boudreaux
“Anika walked to the workbench, which was flanked by two metal cabinets. She opened the cabinet on the left and spotted sundry items—nails, paint, and whatnot—that one expected to see. Even the rat poison with skull and crossbones on the bag made sense. She also saw, however, several boxes wrapped in white and labeled, “Explosive Plastic Comp-4 (C-4).” Paralyzed, she tried not to panic or stare. ”
Chad Boudreaux, Homecoming Queen