Mark Lawrence's Reviews > The Night Circus
The Night Circus
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I wavered between four and five stars on this one but then thought that I should show multi-millionaire authors the same generosity I show the struggling variety.
The Night Circus is very different from the kinds of fantasy books I’ve been reading of late. It’s not that it’s written in the present tense (I read the excellent Master Assassins recently and that is also in present tense). It’s not that is has a Victorian feel to it (the excellent Senlin Ascends has that). It’s not that it’s set in the real world (the highly enjoyable Paternus had a real world setting). It’s that there are no deliberate killings. There is, dear reader, almost no violence at all.
This is in fact a gentle, magical book. A lot of time is spent describing delicate and beautiful enchantments and illusions. A lot of time is spent describing the courses at exotic dinners. There is a distinct interest in fashion, interior design, and the layout/decoration of the eponymous circus.
It’s not a deeply philosophical book, or a deeply literary one (though there are allusions to Shakespeare) and it has a strong romantic element to it. So, very different from the kind of reads that I have been enjoying of late.
And yet … and this is why I gave it 5*, I read the book in a handful of days, which rarely happens. So Morgenstern clearly worked her magic on me.
I guess above all this is a work of imagination. There’s an element of mystery, there’s the romance, but the real star of the show is the circus itself and the finely described components, all of which bubble with imagination. The author succeeds in making you want to visit it, to experience its delights, to follow it across the world.
The story concerns two very powerful magicians who engage in a kind of proxy war via a series of protégés who are pitted against each other pairwise. But the war is a war of ideas and the contest is a vaguely defined showcasing of talent.
It’s not a story with any real tension, don’t expect to find yourself biting your nails. There are no thrilling chases, fights, there’s no real “baddy”. Everyone is very civil all the way though. It’s closer to Jane Austin than George Martin. But it is, as I’ve said, gently enchanting and more-ish.
Can I see why it has sold many millions of copies … no. Would I recommend it to you … yes. Oh wait. I guess that’s ‘all’ it takes to be a mega seller. If all your readers tell other readers to pick up the book, you have it made. Pick up the book.
As a side note: Years ago someone praising the prose sent me this line:
"Round spheres that resemble birdcages rise and descend while one or more aerialists move from within the sphere to without, standing on the top or hanging from the bars on the bottom."
It actually put me off. "round spheres" is redundant and I am picky.
But having read the book it turns out to be the only line I've any objection to!"
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The Night Circus is very different from the kinds of fantasy books I’ve been reading of late. It’s not that it’s written in the present tense (I read the excellent Master Assassins recently and that is also in present tense). It’s not that is has a Victorian feel to it (the excellent Senlin Ascends has that). It’s not that it’s set in the real world (the highly enjoyable Paternus had a real world setting). It’s that there are no deliberate killings. There is, dear reader, almost no violence at all.
This is in fact a gentle, magical book. A lot of time is spent describing delicate and beautiful enchantments and illusions. A lot of time is spent describing the courses at exotic dinners. There is a distinct interest in fashion, interior design, and the layout/decoration of the eponymous circus.
It’s not a deeply philosophical book, or a deeply literary one (though there are allusions to Shakespeare) and it has a strong romantic element to it. So, very different from the kind of reads that I have been enjoying of late.
And yet … and this is why I gave it 5*, I read the book in a handful of days, which rarely happens. So Morgenstern clearly worked her magic on me.
I guess above all this is a work of imagination. There’s an element of mystery, there’s the romance, but the real star of the show is the circus itself and the finely described components, all of which bubble with imagination. The author succeeds in making you want to visit it, to experience its delights, to follow it across the world.
The story concerns two very powerful magicians who engage in a kind of proxy war via a series of protégés who are pitted against each other pairwise. But the war is a war of ideas and the contest is a vaguely defined showcasing of talent.
It’s not a story with any real tension, don’t expect to find yourself biting your nails. There are no thrilling chases, fights, there’s no real “baddy”. Everyone is very civil all the way though. It’s closer to Jane Austin than George Martin. But it is, as I’ve said, gently enchanting and more-ish.
Can I see why it has sold many millions of copies … no. Would I recommend it to you … yes. Oh wait. I guess that’s ‘all’ it takes to be a mega seller. If all your readers tell other readers to pick up the book, you have it made. Pick up the book.
As a side note: Years ago someone praising the prose sent me this line:
"Round spheres that resemble birdcages rise and descend while one or more aerialists move from within the sphere to without, standing on the top or hanging from the bars on the bottom."
It actually put me off. "round spheres" is redundant and I am picky.
But having read the book it turns out to be the only line I've any objection to!"
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Join my 3-emails-a-year newsletter #prizes
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Reading Progress
April 12, 2018
–
Started Reading
April 12, 2018
– Shelved
April 17, 2018
–
31.62%
"Enjoying this!
Years ago someone praising the prose sent me this line:
"Round spheres that resemble birdcages rise and descend while one or more aerialists move from within the sphere to without, standing on the top or hanging from the bars on the bottom."
It actually put me off. "round spheres" is redundant and I am picky.
But having reached that line again it turns out to be the only one I've any objection to!"
page
160
Years ago someone praising the prose sent me this line:
"Round spheres that resemble birdcages rise and descend while one or more aerialists move from within the sphere to without, standing on the top or hanging from the bars on the bottom."
It actually put me off. "round spheres" is redundant and I am picky.
But having reached that line again it turns out to be the only one I've any objection to!"
April 22, 2018
–
Finished Reading
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message 1:
by
Jenny
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rated it 5 stars
May 21, 2018 09:26AM

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It has half a million ratings on this site! It takes quite a few million readers to have half a million of them rate the book on GR.




That said, for me, the lack of any real tension or conflict really bogged the book down in the second half. It felt to me as if the author was so in love with their characters that they didn't want them to bicker or fight.





Que libro tan fantástico, me ha enganchado desde la primera página. Los dos protagonistas centrales hacen unos trabajos de mágia y de control mental increíbles, creo que Celia más que Marco, porque ella es la que controla todo el funcionamiento mágico del circo y de toda la logística.Ttiene ayuda económica, por supuesto, existen unos socios inversores, también unas socias que se encargan del vesturario pero si a Celia no le acaba de gustar algún diseño es ella quien lo arregla pero con mágia, vaya, una cosa nunca vista, teniendo en cuenta que la historia se desarrolla entre los años 1876 y 1902. Otra cosa que debe tener en cuenta Celia es la salud y la vida de los artistas que viven en el circo, no envejecen del mismo modo que los demás mortales, sino que lo hacen muy lentamente, así que a lo largo de los años estan más o menos igual que cuando empezaron. Leer este libro es como si estuvieras detro de un sueño mágico. RECOMENDABLE ES POCO!!
Puedo añadir aquí a día de hoy, que este es uno de mis libros favoritos de todos los que he leído que son bastantes creo yo :D


